I'd had this one Bee Gees biography on my radar for a while, but after seeing a number of negative reviews, including one detailing a mile-long list of factual errors, I mentally shelved it. Dennis Bryon's You Should Be Dancing: My Life With the Bee Gees came up for review and caught my eye. I hadn't seen the group's 1979 Spirits Having Flown show, but my husband (14 at the time) had, and still points to it as one of the best live shows he's ever seen. Bryon toured as drummer then, and his book provides detailed insider information when the Bee Gees peaked in sales and popularity.
When I think of the Bee Gees, I tend to focus on the songwriting and vocal harmonies. A non-musician fan like me might forget that for five years they were supported by a solid band on stage and in the studio, so a book like this helps me appreciate the people who contribute to great music.
Before the Gibbs, Bryon grew up in Wales and dreamed of a life which didn't chain him to work as an electrician. After taking up the drums, he enjoyed success with the Amen Corner, a Wales-based rock/blues group better known in their native country. They rode high for about three years, then poof. Done. Bryon doesn't dwell much on the band's demise, hinting perhaps at a restlessness among some musicians and a desire to try new things. The band's split leaves him scraping for any work in the music industry, and he comes close to taking a tour manager position before a former band mate steers him toward the Gibbs.
The heart of Dancing, of course, chronicles his tenure in the Bee Gees' band with Alan Kendall and Blue Weaver, arguably at the pinnacle of their career. Bryon's memory appears photographic at some points - there are passages where he describes the layout of a studio right down to the screws in the door hinges. He's kind to all the Gibbs and extended family, assigning personalities we probably would have guessed for each: Barry the devoted family man, Robin the quiet one, Maurice the joker. Every occurrence in this five-year period happens in Bryon's recall as though everybody involved wrote and rewrote music history with the greatest of ease. Of course, it's not entirely untrue given the success of Saturday Night Fever in this time.
Post-Bee Gees anecdotes are equally interesting, particularly his work with the doomed younger brother Andy. The aforementioned Bee Gees biography weathered criticism over a perceived vitriolic portrayal of Andy, but I found Bryon's memory sympathetic without being sugar-coated. Had Andy survived his addictions, who's to say Bryon's drumming career wouldn't have lasted several more years.
Overall, Bryon's narrative throughout Dancing comes off so positive, when you read about his unceremonious firing (via a phone call from a non-Gibb - a rather cowardly act if you think about it), he doesn't seem angry enough. When you read about a guy going from six-figure advances for an album to zip you'd expect some anger to singe your fingers as you turn pages. You get the impression Bryon, though frank about money and marriage troubles later in life, takes a zen approach to things. He could hug Barry after putting time between the wounds, but while Bryon ends his story touching on the whereabouts of a few close friends there's no mention at all of the deaths of Maurice and Robin. Even with the great attention to detail of touring and recording, you still have some questions.
ARC received from NetGalley