The more I read rock and roll memoirs, the more I'm convinced it's required for at least two chief members of a successful group to butt heads and fall out with spectacular hand gestures and bitter, four-letter words. Lennon sniped with McCartney, Stanley rolls his eyes at Simmons's every PR stunt, and Perry seems to barely tolerate Tyler (you get that impression from his book). Everybody has a frenemy in the business, the person with whom you work while you look at your watch to check for quitting time, and for Steve Katz that man would be Al Kooper.
Or Lou Reed.
Or David Clayton-Thomas.
Or his brother Dennis.
The difference between the aforementioned rock duos and Katz and company, though, is you get the impression at the end of the day John and Paul, etc. can bury the hatchet. After reading Blood, I envision Katz using the hatchet to hack the bridge into firewood before tossing back a lit match as he walks away.
I picked up this book because I wanted to read about a musician and a group about whom I know next to nothing. Katz helped form two popular bands of the 1960s: first The Blues Project and later Blood, Sweat & Tears. I know exactly three BS&T songs. I thought I knew four, but the last one turned out to be a Guess Who hit. Soon as I'm done here I'm firing up Google Play to listen to both groups. Anyway, if die-hard BS&T fans exist who live to takes sides with Team Katz or Team Kooper, I'd recommend this book to all of you because now you have a counterpart to Al's book.
If you're not a die-hard and want to read an insider's story of the industry as a musician and executive, you'll find here a rough blend of memories - blunt, happy and bitter. There are early heartbreaks that make you want to give the guy a hug (read: Mimi Baez), and fun brushes with celebrity like Bob Dylan and not-yet-Hutch David Soul. Katz doesn't suffer fools as he relates his tenure with fame, multi-million record sales and Grammy Awards, all the while dealing with an ego he had to humble to improve the band (Kooper) and the replacement singer he wanted to throttle (Thomas).
BS&T, however, only accounts for a fraction of Katz's story, given that he left the band in 1973 (by '77, the last founding member cycled out and a bazillion other people have performed in this group since). I found the second part of the book more interesting as Katz transitioned from musician to producer, namely with Reed, to A&R during the musically volatile 70s and 80s. How does the co-founder of a jam band and a jazz-rock band head hunt disco acts for a record label? With the knowledge he's getting a much-needed paycheck.
Blood, Sweat, and My Rock 'n' Roll Years opens with a great hook and scatters through several decades of headaches and musical triumphs and disappointments. One might call it a cautionary tale, though I have to wonder how much Katz would do all over again given the choice.
ARC received from the publisher via NetGalley.