It's rare that I have found a recent work for this blog that isn't a rock star memoir. While Glyn Johns had a very brief career as a singer (with modest success in non-English speaking Europe), he is known more as a producer and engineer. He had the great fortune of being present at the creation of many now-legendary albums. Can you imagine hearing Led Zeppelin for the time ever, before the records are even pressed? Johns has this enviable place in history, and when you pick up Sound Man you might expect a vivid portrait of 60s and 70s rock as it evolved and how the people who created the sound lived.
You do find it, to some extent. As Johns explains in Sound Man, he came to music with the intent of singing and performing when circumstances led him to the engineer's booth and kept him there for better part of four decades. This book, though, is more technical than dramatic, with Johns focusing less on his personal life (and therefore his relationship with many of the players) in favor of the mechanics of recording music. If you'd prefer to know the equipment and recording methods used to create Let it Be and Sticky Fingers you struck gold. If you want eyewitness accounts of groupies and candy bar urban legends...sorry. At best, you'll receive hints of behavior in the studio and notes on personalities Johns liked and disliked. He doesn't seem afraid to call out a unpleasant person or his opinion of how Phil Spector's "puked all over" Let it Be.
If the science behind recording music fascinates you, you will enjoy Sound Man. You won't find any more personal insights on your favorite musicians that can't be read elsewhere, but the light personal touches and style of the book make it easy and interesting to read.